December 3 , 2003 (Vol. 38, No. 10)

noise.

Editor: Kimberly Chun
Art director: Lori Spears
Noise logo & cover designer: J. Fish
Music accounts executive: Chris Owen

It's all relative
By Jimmy Draper

AS ALL THE Jacksons whose names aren't Michael can attest, 2003 was an especially tough year for those with famous familial affiliations. But while Tito and company could write the book on being overshadowed by a more celebrated – or at least more eccentric – superstar in the family, a handful of other acts have recently suffered similar neglect. Despite releasing some of the past 12 months' most enjoyable albums, the following artists were unfairly dissed, dismissed, and flat-out ignored primarily because it can be damn near impossible for a famous music star's child or sibling to be taken seriously. Solange Knowles and Ashlee Simpson, you've been warned.

Dannii Minogue If the extra n and i in her name smack of attention-getting desperation, that's probably because Danielle "Dannii" Minogue has spent her life trying to catch up to big sis Kylie. And as the less talented, attractive, and successful of the sibs, lil' Dannii has had to be especially creative – i.e., taking ridiculous liberties with her spelling – in order to make a name for herself. But if she's remained more LaToya than Janet to Kylie's Michael since putting out Neon Nights (Ultra) in the early '90s – her recent stateside debut following a handful of mediocre, import-only albums – could change that. It's just unfortunate that so few people here have yet to discover the album's way-gay whirlwind of disposable pop disco, kinky cyborg vox, and dirrty double entendres recalling the heydays of Stacey Q and Cathy Dennis. For some of the year's most mindless dance-floor fun, check the hump 'n' grind good times of "Put the Needle on It," "Push," and the ode to, uh, battery-powered pleasure, "Vibe On." In the words of Paula Abdul, another obvious Dannii influence, shut up and dance.

Brassy's Muffin Spencer Jon Spencer may be long past his blues-exploding prime, but listeners still can't accept Muffin Spencer as anything but the NYC hipster's sib. Which ain't her fault, of course. After all, the big-mouthed Brassy singer-guitarist has far more musically in common with pop rapper Betty Boo than with her own flesh and blood these days. On her band's second and better album, Gettin' Wise (Wiiija), Muffin et al forgo the Beasties-ality of their past in favor of an even slinkier, funkier hip-pop and rock pastiche. Still, their party jams would only be half as fun if Muffin didn't possess a persona that's infinitely brassier, sassier, and smart-assier than that of her bro – and most of the rock underground as a whole.

Lisa Marie Presley Sure, a Rolling Stone cover story and Top 10 album hardly qualify Lisa Marie Presley as one of the year's most overlooked artists. Then again, it's difficult to deny that Presley received most of that attention because she's Elvis's daughter – not because of her actual artistry, which seemed lost amid an onslaught of photo spreads, interviews, and TV appearances. Contrary to all the reviews ridiculing it, however, To Whom It May Concern (Capitol) is an impressive debut that suffered from the ridiculous expectation that LMP would hold her own against daddy dearest's legacy. No one can meet that challenge, and LMP deserves more credit for her music – overcountrified, Sheryl Crow-esque rock – than she's been given. She sings like a rougher and tougher Cher, snarling, howling, and even curling her lip like pappy while detailing the countless chips on her shoulder. Moody and a wee bit melodramatic – a good thing! – the album is a perfect extension of LMP's over-the-top, take-no-shit personality teetering between that of a camp icon and a truly affecting new talent.

Allison Moorer Because Shelby Lynne's the rowdiest country star who isn't a Dixie Chick, it's easy to understand why Allison Moorer is often dwarfed by her big sister's brash, no-bullshit behavior. Even so, the more understated Moorer is arguably the better artist, her trio of impeccable studio albums bending the rules of trad C&W with forays into rock, blues, pop, and torch songs. Never mind that Lynne's Identity Crisis got more attention this year – check out Moorer's first live release, Show (Universal South). Culling selections from her entire repertoire and singing the living daylights out of them, Moorer recorded a gut-busting sort of best-of that – even when her sis steps in to sing on a few numbers – proves she's in no danger of succumbing to Celebrity Sibling Syndrome.

Top 10

1. Dixie Chicks kick against the pricks

2. Cat Power, You Are Free (Matador)

3. Northern State

4. Beyoncé, "Crazy in Love" and "Baby Boy" (Sony)

5. www.katesullivan.blogspot.com

6. Pink versus Xtina

7. Kathleen Edwards, Failer (Zoe/Rounder)

8. Babs, MTV's Making the Band 2

9. www.popbitch.com

10. Aislers Set at Great American Music Hall

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