It’s all about choice, people. Noise Pop is a well-oiled festival machine at this point — now in its 21st year — cranking out dozens of concerts, nightlife happenings, film screenings, culture club events, photography showings, and all that good stuff we’ve come to expect from the homegrown indie fest. But given all those choices for the week of Feb. 26 through March 3, restless souls such as myself always tend to feel a bit well, overwhelmed.
Do I see headliner Toro Y Moi at one of his Independent showcases, or DIIV at Brick and Mortar Music Hall? (Shouldn’t matter much to most; those are all super sold out by now.) Do I squeeze in a Noise Pop Happy Hour after work, before the cozy Sonny and the Sunsets Bottom of the Hill concert or Kim Gordon’s new project, Body/Head at the Rickshaw Stop? How much is too much booze for one week? I can’t answer them all for you (if you want to see a sold-out show, buy a fest badge), but I can help with those pesky last-minute questions that boil down to which show to choose over another, equally appealing event.
The infographic flowchart for this appeared in this week's issue (pg. 20 of the Feb. 20 Guardian), but for these purposes, I'll hook you up with a video for each:
Interested in live music? Are you a “members of” type of fan? Do you prefer distorted guitar?
Answer: Kim Gordon's newest venture, Body/Head. Body/Head is the newest post-Sonic Youth project for Gordon, who teams up with free-noise guitarist Bill Nace to create noisy experimental mindfucks such as single “The Eyes, The Mouth.”
Are you a “members of” type of fan? Do you prefer analog synth?
Answer: Jason Lytle of Grandaddy. The Modesto-born Grandaddy frontperson and singer-songwriter most recently released heart-tugging solo work, Dept. of Disappearance (ANTI-, 2012).
Do you like to keep it local? Do you only go to shows if they are free?
Answer: Noise Pop Happy Hour with Golden Void, Wild Moth. San Francisco psych band Golden Void and local post-punk act Wild Moth (check out 2012 EP Mourning Glow, on Asian Man Records) are both acts to know now.
March 1, 5pm, free
806 Van Ness, SF
Do you like to keep it local? Are you willing to spend a nominal sum on live music?
Answer: Sonny and the Sunsets. By now, the band, led by prolific artist-musician Sonny Smith, is a go-to classic for quality SF garage-pop. And yet, last year's Longtime Companion (Polyvinyl) pumped up the twang.
With Magic Trick, Cool Ghouls, Dune Rats
March 2, 8pm, $12
Bottom of the Hill
1233 17th St., SF
Can you get into some '90s slow jams?
Answer: XXYYXX. Woozy XXYYXX is the creation of 18-year-old Orlando, Florida producer, Marcel Everett, whose beat-driven Relief in Abstract albums, have gotten props from the likes of Kardashian baby momma/Kanye West and the like. Our very own DJ Dials brings the wunderkind West.
With DJ Dials, Teebs, Nanosaur
Feb. 28, 9pm, $25
375 11th St., SF
And if you're able to attend any of the other ticket-less shows, there's also this great one:
Post-punk Beach Fossils side project DIIV, recent On the Rise act Wax Idols, Sisu (fronted by Sandy of Dum Dum Girls), and Lenz.
March 2, 8pm, $15 (sold out)
Brick and Mortar Music Hall
1710 Mission, SF
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