Well the biggest music news in the city this weekend (or just outside its technical geographic mainland limits) is likely the annual Treasure Island Music Festival. But beyond that, there’s Goblin’s first ever SF show — for fans of Italian horror — along with the Dodos’ glorious return, Har Mar Superstar, Clairy Brown & the Bangin’ Rackettes, GWAR, and more. Read more »
From snatching that perfect pair of tolerably uncomfortable shoes to sourcing stamina-inducing party favors, pre-music festival preparations are key.
Unfortunately I’m a procrastinator to the highest degree — a gal who thrives on the thrill of a deadline and thereby ends up highly caffeinated on Saturday morning, buzzing between projects: weaving flower crowns with foliage from the backyard, trying on all my bras in search of the one that will best cozy my flask, baking sugary snacks that minimize long line-induced irritation, taking shots, doing lunges, and yelping with excitement.
I am also a big fan of the to-do list. And since the Treasure Island Music Festival is a personal favorite fully laced with woozy, mushy memories, I’m getting a few-day head start on this year’s to-do list to make sure the fest goes swimmingly. (Treasure Island Music Festival takes place this Sat/19-Sun/20. www.treasureislandfestival.com.)
Once (three years ago) I broke my wrist at a Thee Oh Sees show, and despite the gnawing pain from my misshapen wrist, I stayed to watch the rest of the set.
You see, you just don’t leave a Thee Oh Sees show early. It is a band you experience, because it’s not that often that you get the chance to see a band that enjoys what it's doing quite so much, and may just want to pull you into the hectic fun.
My most recent encounter with Thee Oh Sees was last Thursday at the Chapel; the band was kicking off its sold-out, three-night residency with spooky electronic act Fryborg, proto-punk worshippers OBN III's and precise psych-rock band the Blind Shake. Read more »
Boiler Room (aka the world’s leading underground music show) is coming to San Francisco for the first time. That SF Boiler Room event, which will be beamed to laptops and cellphones worldwide, is the official Treasure Island Music Festival after party. It features a DJ set from legendary DJ-producer-MC Madlib and super secret special guests.
You have to RSVP here to get the secret location. But we do know it’ll be Oct. 19 from 10pm-4am. Read more »
“This,” said a friend, turning and surveying a backlit crowd, bopping and blazing under an unlikely October sun, “is the real San Francisco.”
I’m new to this city, and its croaking cables, faddish food trends, steep hills, all-aboard attitude, and free bluegrass festival have captivated me.
I was stuck in the largest forested mob I’d ever seen, between the nubby hills that form Hellman’s Hollow. To my left a drunk woman shouted into her cell on the shoulders of a drunk man, to my right a bare-chested beer-bellied man flapped his arms above his head, and ahead, the String Cheese Incident spread a bluesy beach jam over this valley of ears.
Have you recovered from Hardly Strictly Bluegrass/the Castro Street Fair yet? Can you believe how hot and sticky San Francisco was last weekend? Do you need more salted caramel liquid nitrogen ice cream? These are all rhetorical questions. It’s time to move on, because this week Fuck Buttons are in town, as are the Babies, King Khan and the Shrines, rapper Le1f (at a arcade themed dance party, no less), and Andrew W.K. singing classic Ramones songs with drummer Marky Ramone. Read more »
According to recent findings, it would take 4.85×10(15) years to teleport a complete human at 30GHz. That's 350,000 times longer than the universe has existed. And almost as long as the clothes check line at the Powerhouse.
How will I ever get to all these parties???
Darn you, science. I'm guessing I'll still at least have one or two out of body experiences at the following, howevs.
That sound you hear right now? Every cool gay and/or techno nerd in the city rending their exquisitely positioned garments. Honey Soundsystem has just announced via newsletter that Oct. 20 will see the end of its weekly Sunday party at Holy Cow, one of the best overall club nights in the world.
"We started out wanting to make house and techno a regular thing for queens -- and we did that and now it's time to move on," DJ P-Play of the collective told me. "We're glad the party is so good right now, and we're stopping it while it's hot.
"We're confident enough to move in a direction where people have to think again. Where we're going with the music, together and individually, is too complicated for a weekly night.
"Now it's up to the queens of SF to decide if they want to continue to keep this city interesting, or if they're going to settle for the same top 40 bullshit."
Walking into the Independent on Friday night, the first thing audience members saw were signs titled “A Note From Savages.” These postings read, “Our goal is to discover better ways of living and experiencing music. We believe that the use of phones to film and take pictures during a gig prevents all of us from totally immersing ourselves. Let’s make this evening special. Silence your phones.” It was just the first indication that this was going to be an exceptional night.
Just before Savages took the stage for the first of two sold-out shows, the energy in the room vibrated with a palpable hum, resonating above the droning ambient music pulsing from the speakers. Read more »
Three decades after its initial release, New Order's Power, Corruption, & Lies (1982) might sound deceptively ordinary. From the early '90s successes of Happy Mondays and the Stone Roses, to more recent outfits like LCD Soundsystem and Cut Copy, it's easy to take for granted just how completely the Manchester band's hybrid of guitar rock and sequenced dance music has permeated the modern musical landscape. Yet, as bassist and co-songwriter Peter Hook would have you believe, that fateful LP was the moment that started it all.
"New Order [was] one of the first rock bands that used dance elements, and now everybody does it," Hook tells the Bay Guardian over the phone from a hotel room in Vancouver.
In continuation of a recent tour that featured song-for-song replications of both Unknown Pleasures (1979) and Closer (1980) by Hook's previous band, the equally revelatory post-punk outfit Joy Division, his current ensemble, Peter Hook & the Light, is set to grace the Mezzanine stage on Fri/27 with front-to-back covers of New Order's first two LPs, 1981's Movement, and of course, Power, Corruption, & Lies. Read more »