Yeah Yeah Yeahs may be critical faves, and they may have pretty much all the cool kids at their shows, and they may have created an unassailably cool image to boot, but their latest EP, Is Is (Fontana/Interscope), makes it very difficult for those diametrically opposed to such across-the-board-acceptance to write the band off as more empty product. Read more »
Out of all the '80s thrashers that managed to survive the nu-metal wasteland of the '90s, none have re-hoisted the oriflamme of thrash with the vehemence of Exodus. After abortive Korn-era attempts to regain prominence were scotched by endless line-up changes and label disputes, the band coalesced in 2004 around guitarist Gary Holt, who was determined to get the band back in the studio. Read more »
Karaoke isn’t just for drunk bachelorettes, annoying frat boys, and Japanese man-whores anymore. (Such language! -- ed.)
Now, thanks to the folks down at Thee Parkside, you and all your goofy and jaded hipster friends can enjoy it too. Hesher, Thee Parkside’s monthly karaoke and air guitar contest, has been building up heavy metal steam all year long and is about to go into finals mode. Read more »
Aye, yes, it's been a stellar year for Scotland, musically speaking, what with floor-me-flat-out releases from the likes of Edwyn Collins, Alasdair Roberts, Malcolm Middleton, Emma Pollock, the Twilight Sad - not to mention the triumphant return of the Jesus and Mary Chain - and, sitting at the tippy-top of this list, the astonishingly prolific folk-pop troubadour from Fife, Kenny Anderson, better known as King Creosote. Read more »
I don’t like techno. And by calling it techno, of course I mean to deride electronic music, perhaps only for effect, or maybe because I have all these negative electro-associations: the movie Swordfish, for example. There’s one. Read more »
So the night, Nov. 30, was a disaster of sorts but not for the reasons you’d think - and before you gag yourself with the prospect of another music review-turned personal soapbox or group session, bear with me. Read more »
This just in: Freight & Salvage Coffeehouse - the longest-running, full-time venue for folk and traditional music west of the Mississippi River - announced today it has been awarded a $1.161 million grant from the California Cultural and Historical Endowment (CCHE) to fund construction of its new green performance space, school, and café. Read more »
Brian Miller contemplates the Lightning Bug Situation - he's responsible.
C’mon down and down some more choiceness along with that hard eggnog: you’d think this was high-music season with all the live sounds out there. Here’s what didn’t make it into print in this week's Sonic Reducer yet nonetheless stands out, shining like a friendly faux candle in a neighbor’s window.
Ghost of Curtis
We’ve lost Control again? Read more »
On Friday night, Nov. 30, I caught Etienne de Rocher’s farewell tribute at the Rickshaw Stop. It went off all mellow, with candlelight and whatnot. Seems your boy is off to Athens, Geo., to buy property and raise his kids, kick it with his broski, and find a porchswing or something.
Et il me manque deja: I’m a sucker for the sounds of the overeducated. Read more »