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Bearrifying! Paws for rap horror

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OMFG -- you knew it would happen. Girly bear rap-rock AT LAST hits the viral mainstream. And yes, it's pretty terrifying. Even more terrifying -- why is SFBG becoming a clearinghouse for bear musical releases? Read more »

Spooked sounds 2: more lost albums and forgotten performances for Halloween

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Pussy Galore - and scares galore.

By Erik Morse

Let's pick up where the first installment of "Spooked sounds" left off: here are a few more notorious sonic “events,” which constitute a spectral and alternative history in recorded music’s century long canon. The more cryptic, the more incredible and the more emphatic the anecdote, the scarier the sounds. Read more »

Nels Cline at du Nord: so much firepower, so little venue

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By Benedict Sinclair

It’s always nice to get a warm feeling from a show, regardless of the sonic or literal violence you might undergo during it. The bartender at Café Du Nord on Thursday, Oct. 25, was kind enough to hand me my drink with an unusually welcoming smile. Suddenly I overheard a discussion about how beautiful a certain country highway was - the one I’d just happened to grow up on. Ah, home. Read more »

Pip, pip for the Pipettes

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By Chris DeMento

The Pipettes are a UK trio with a Supremes-meets-indie-rock popgirl sexgimmick on a North American tour come two years too late. They wear polka-dot skirts. They are hot. They dance about. They are very sexy. They sing about boys in school uniforms and dance about. They are female vocalists. Read more »

Spooked sounds: 12 lost albums and forgotten performances

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Johnny Ace: a blues icon turns into one of rock's first casualties.

By Erik Morse

With Halloween soon approaching, all the party mixtapes and Goth soundtracks will inevitably be programmed with the scary and spectral. It only seems appropriate, then, to take a look at a history of some of these ghostly recordings, albeit of a slightly different kind. Read more »

Haunting Two Gallants

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By Chris DeMento

Saturday night, Oct. 27, and I'm at the Independent to see Two Gallants. Opening acts Songs for Moms and Blitzen Trapper did well to set the stage for odes. Soft white lights blanched soft white faces, making ghosts of East Coast transplants dressed like goons dressed like Double Dare buffoons. Meanwhile young city-bankers in serial-killer costumes put on cats' ears for listening. Read more »

Good music. Bad name.

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Though undeniably accurate, "The Bridge School Benefit" is the worst name for a rock concert ever. The only sexy thing about it (besides giving publicity to the school, which deserves it), is that it sounds a lot better to skip out on helping a friend move or having dinner with your S.O.'s parents to attend a "benefit" than it does to admit you're going to smoke doobies and listen to the devil's music.

But for all its bad name-iness, and the fact that I hate the Shoreline Ampitheater (Am I too old to appreciate massive venues? Read more »

Seconds for Orange Juice's Edwyn Collins

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By Todd Lavoie

Comeback of the year? Edwyn Collins, definitely. Back in February 2005, Collins - the former leader of jaunty Scottish post-punk charmers Orange Juice and a solo artist best known for the 1994 vibraphone-peppered finger-snapper "A Girl Like You" - suffered two cerebral hemorrhages that left him hospitalized for months. Read more »

Darling Nikki

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Don't try to front like you never liked Motley Crue. You know you shouted at the devil. You know you tapped out the poignant opening bars of "Home Sweet Home" on your big sister's Casio keyboard. And you know you turn up the iPod when shuffle kicks you into "Dr. Read more »

Go, metal monsters Gojira, Go

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By Ben Richardson

Esteemed Guardian staffer Cheryl Eddy was kind enough to sacrifice a sentence of her Behemoth preview this Wednesday, Oct. 24, on the altar of French metal masterminds Gojira. Though the adjective she picked to describe them - “brutal” - is certainly apt, I wanted to delve a little deeper into the band’s Gallic brutality. Read more »