Kitten Grenade takes the ukulele seriously. Katelyn Sullivan picked up the instrument when she was lonely and unhappy in Los Angeles, jonesing to be back in San Francisco. Now the instrument adds chiaroscuro to her self-titled debut EP released this January: the lilting chords contrast her brassy voice and its message of heartbreak.Read more »
By Avi Vinocur. Photos by Avi Vinocur and TJ Mimbs.
So as we speak I'm crammed between an NPR listener, a Louisiana native longing to be home for Jazz Fest, and a cool dude with lensless glasses awaiting the gospel of a Puerto Rican girl from the Bronx, who found her home in New Orleans singing mountain music. I love America.
Her name is Alynda Lee Segarra -- short, cute, Aubrey Plazaesque (but smiley) with an incredibly evocative voice not quite like anything I've heard. Read more »
Emily Ritz and Kacey Johansing aren't exactly strangers to the Bay's indie-folk scene — Johansing's second solo LP, 2013's Ghosts, has spread like lush acoustic pop wildfire around the city since its release, while Ritz is part of the Oakland-based experimental "noir pop" outfit DRMS, which put out the ambitious American 707 earlier this year, a hypnotically weird and weirdly delightful short film and accompanying soundtrack. Read more »
You might not be alone if you do a double-take when hearing José James’ new single for the first time. The song, “EveryLittleThing,” off the singer’s forthcoming album on Blue Note Records (While You Were Sleeping, out June 10), recalls a grinding club hit more than the effortless mix of jazz and neo-soul that made him famous. It is a surprise, to say the least -- the driving, electric sound is nothing like the mellow and easy cool of his previous record, No Beginning No End, released in 2013. Read more »
In the past, Argentinean singer-songwriter Juana Molina took her time to craft carefully looped and layered beatscapes before her audiences. Her approach has changed, per the artistic demands of her most recent release, Wed 21. The songs are more condensed, but the aesthetic is the same.Read more »
There’s something special about seeing the name Motörhead, umlaut and all, mounted on that grand Market Street marquee, next to a strip club and at the intersection of one of San Francisco’s seediest streets. If you know anything about the band, its history, and iconic frontman Lemmy Kilmister, it just feels right.Read more »
This weekend will see a convergence of two holidays that, come to think of it, overlap rather nicely given their impact on chocolate sales. Whether you're celebrating the resurrection of Christ by donning an elaborate hat for church or the recent renewal of your medical marijuana card by finding new and creative ways to mainline THC (word to the wise: be careful in public this year), Sunday, April 20 is shaping up to be a fine day for people-watching in this city. Read more »
Hiatus, schmiatus:Thee Oh Sees have been added to an already-dreamy Burger Boogaloo lineup. Catch 'em alongside OFF!, Shannon and the Clams, Nobunny, Terry Malts, and of course the inimitable Miss Ronnie Spector herself, July 5-6 at Mosswood Park in Oakland.Read more »
For Paul Simon’s 1986 hit album Graceland, both its production and its long-time success moved across boundaries of space, time, and genre. The movement continued this past weekend inside the San Francisco Jewish Community Center’s Kanbar Hall, where the quarterly UnderCover project and Faultline Studios presented a tantalizing tribute to Graceland, with each of 11 groups/artists performing one of the album’s 11 tracks. Read more »