If you've ever set foot in Viracocha, the Never-Never-Land-esque antiques store/typewriter shop/arts space/music venue at 21st and Valencia, you know it's a pretty magical place — especially in contrast to some of the shiny new businesses springing up around it in the Mission as of late. Read more »
Sexual jealousy, filial betrayal, and bloodshed amid a civilization’s ruins. The SF International Film Festival began on these cheerful notes, with Viggo Mortensen, Oscar Isaac, and Kirsten Dunst tensely keeping company in opening-night film The Two Faces of January, Hossein Amini’s adaptation of the 1964 Patricia Highsmith novel. Mortensen plays Chester MacFarland, a New York con artist who, having bilked investors out of large wads of cash back in the States, is on the lam in Greece with his pretty young wife, Colette (Dunst).
Not to detract from the drawing power of Seth Rogen's comic chops (or Zac Efron's abs, pecs, etc.) in this week's Neighbors, but it seems Hollywood is taking a little blockbuster breather between last week's Spider-Mancash grab and next week's Godzilla onslaught. So now's a great time to catch up on some smaller films that might've otherwise escaped your radar, including brains-and-beauty costume drama Belle, opening theatrically after its recent bow at the San Francisco International Film Festival. Reviews, trailers, and links below!
After a sneak peek and a couple of delays, Urban Putt finally opens at 4pm today. The high concept mini-golf course, restaurant, and bar combination arrives just in time for some Cinco de Drinko fiesta time.
The former mortuary at South Van Ness and 22nd Streets is freshly coated with a new paint job that seamlessly blends with the neighborhood. There’s nothing flashy about Urban Putt from the outside but as you step inside, you’re transported into a gadgety, steampunk world — a techie’s Disneyland.
The elaborate 14-hole golf course designed by the guys behind Mission Bowling Club can hold 40 golfers at a time, so expect a wait list as long as Nopa’s on a Friday night. Golfers start out at the Earthquake Hole where they navigate around Lotta’s Fountain and moving buildings into a fire hydrant hole. Expect kitschy San Francisco references scattered around the course: a Transamerica windmill, the Day of the Dead hole, and a robot hole built by the people from Make Magazine. Several other of our city’s landmarks also make an appearance.
The 57th San Francisco International Film Festival runs through May 8; all the details are here. Guardian correspondent and confirmed film fest addict Jesse Hawthorne Ficks checks in with his mid-SFIFF picks and reactions.
Charlie McDowell's The One I Love (screens tomorrow; ticket info here) showcases exceptional performances by Mark Duplass and Elisabeth Moss and should be a multiple Independent Spirit Award nominee come next statuette season. This unique genre fluster-cluck digs much deeper into marital problems than you would ever expect (audiences seemed quite flipped upside down after the film's world premiere at Sundance). Similar to films like Darren Araonfsky's Pi (1998), Christopher Nolan's Memento (2000), and Shane Caruth's Primer (2004), this will be a film that'll spark conversations and inspire repeat viewings.
It won't be summer according to the calendar for another month or so, but it's already summer at the movies. We're already on our second superhero movie of the season! Our second Stan Lee cameo in as many months, people! Read on for reviews of everything that's opening this week, from the obvious (see: Slinger, Web) to the blink-and-you'll-miss-it-but-you-really-shouldn't (Singaporean drama Ilo Ilo, for one). And confidential to late arrivals: the San Francisco International Film Festival is heading into its second weekend; check out our coverage from last week's paper here.
The films cover milestones in Baghdad by the Bay's history, but more obscure films like "Hello Girls" of Chinatown (1929) and Frog Man Swims Under Golden Gate Bridge (1954) offer a look at quirky San Franciscans of the past. Read more »