She doesn't restrict herself to the interior
PREVIEW The last time we saw Lizz Roman, her dancers were parading on Project Artaud Theater's catwalk, climbing its scaffolding, and dangling from its imposing industrial crane (relics from the time the place buzzed as a canning factory). Now, three years later, she has taken over another popular performance venue, Dance Mission Theater. This time she doesn't restrict herself to the interior; At Play starts outside at the corner of Mission and 24th streets, then moves upstairs into the various areas that most of us consider to be adjuncts to the main theater. It's one of the peculiarities of Bay Area dance that so many choreographers are drawn to creating site-specific installations. Some work with an existing space, others add their own touches. Roman belongs to the former. I can't help but think that DMT's architectural properties aside Roman was attracted by its spirit as a home to so many artists and dance students. Roman is not the first to use DMT; Keith Hennessy has orated from its fire escape, and Jo Kreiter has dangled from its parapet. Joining longtime Roman dancers Sonya Smith and James Soria are Tara Fagan, Brian Fisher, and Kelly Kemp. Most encouragingly, Roman is again working with cellist Alex Kelly and DJ-percussionist Clyde Sheets. They worked magic at Artaud, and I'll bet that they'll do it again in the heart of the Mission.
LIZZ ROMAN AND DANCERS Through May 24. Fri-Sun, 8 and 9:30 p.m., $20. Dance Mission Theater, 3316 24th St, SF. (415) 273-4633. www.brownpapertickets.com