Film Review

Foolin'

'The Imposter' meshes different perspectives to tell one incredible true story

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The Friedkin connection

The veteran director re-teams with Tracy Letts for NC-17 howler 'Killer Joe'
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arts@sfbg.com

FILM Like many directors who emerged in the 1960s, William Friedkin started out in television before trying his luck on the big screen. Between 1967 and 1970 he directed four films from which it was difficult to perceive anything beyond a rather wild flexibility.Read more »

Do not disturb

Todd Solondz's latest, the slight 'Dark Horse,' is not his greatest

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arts@sfbg.com

FILM Todd Solondz elicits a variety of responses, nearly all of them extreme, and nearly all reasonable enough. You can look at his work and find it brilliant, savage, challenging; or show-offy, contrived, fraudulent. The circles of interpersonal (especially familial) hell he describes are simultaneously brutal, banal, and baroque.Read more »

Delta delight

Believe the hype: Beasts of the Southern Wild is poetic and enchanting

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Midnight in Woodyland

Try as it might, Allen's latest is hardly a Roman holiday

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arts@sfbg.com

FILM Woody Allen's film legacy is not like anybody else's — his imitators don't count — and is likely to grow ever more interesting in retrospect, as it becomes clear how even his (by now many) bad or indifferent movies still provided some idiosyncratic diversity in American comedy. (For the most part his few straight dramas are, face it, only really interesting as digressions from his strengths.)Read more »

Gimme more

Short takes from Frameline Film Festival

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For more on this year's Frameline Film Festival, including times and prices, go to www.frameline.orgRead more »

Most likely to succeed

With two new movies (and more on the horizon), Mark Duplass is on the cusp of household-name status

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Little runaways

Wes Anderson's new film may be charming, but it's domesticated to a fault

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arts@sfbg.com

FILM It's hard to make any grand pronouncements about Wes Anderson's Moonrise Kingdom. Does the Boy King of Quirk's new film mark a live-action return to form after 2007's disappointingly wan Darjeeling Limited? More or less. Does it tick all the Andersonian style and content boxes? Indubitably.Read more »

Two for the road

The Color Wheel takes sibling rivalry to the extreme
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arts@sfbg.com

FILM They met at a comedy club in Brooklyn. Carlen Altman, a nervous comedian who moonlights as a Jewish rosary maker, was doing stand-up when filmmaker and Tisch graduate Alex Ross Perry approached her about collaborating on a project.

"I came down from the experience of having my first movie out there in the world," said Perry, who directed the little-seen indie Impolex (2009) when he was only 24. "I started thinking about success, disappointment and the way that people grow apart from one another." Read more »