Music Features

Who are you?

Appreciating the legendary band's deeper cuts in advance of its live show

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arts@sfbg.com

MUSIC Can dreams come true or is it all a teenage wasteland? The remains of British mod band (some prefer to call them rockers) the Who are being scraped together for the latest round of nostalgia when original members Pete Townshend and Roger Daltrey perform their second rock opera, 1973's Quadrophenia, in its entirety at Oakland's Oracle Arena this Fri/1.Read more »

Hello goodbye

It's the end of Brass Menažeri, the 10th anniversary of BAGel Radio, and the start of Petra Haden's foray into a capella film scores. Plus: Pussy Riot Night at City Lights!

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emilysavage@sfbg.com

TOFU AND WHISKEY While it'll be hard to say goodbye, Brass Menažeri's founder Peter Jaques might have the best possible reason for dissolving his decade-old, San Francisco band. He got a Fulbright grant to study traditional Greek music — in Greece.Read more »

Rebel girls

Bikini Kill's Kathi Wilcox, the Lady Gaga experience, a soul troubadour, and the demise of a local punk band

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emilysavage@sfbg.com

TOFU AND WHISKEY You should know how significant the forthcoming sentence is for me. Like, when I think about it, my heart speeds up a tick. I get that fluttery, crush-style, first-discovering-feminism blood pumping something fierce. Here it is: so, I was talking to Kathi Wilcox, of Bikini Kill, the Frumpies, the Casual Dots, and Julie Ruin...that's about as far into it as I can get for now.Read more »

Sacred space

On its 30th anniversary, SFJazz gambles on a 700-seat, $63 million concert hall and HQ. Can it re-energize a San Francisco scene?

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emilysavage@sfbg.com

MUSIC There will be no bad seats at the new SFJazz Center in Hayes Valley; or at least, that's the goal.Read more »

Actual pain

King Dude on Chelsea Wolfe, breaking down the 'Django Unchained' soundtrack, the return of Cannibal Ox, and a new band for Ty Segall

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Gentle mosh

TOFU AND WHISKEY: Vetiver and Howlin Rain team up for a troika of shows

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TOFU AND WHISKEY Vetiver and Howlin Rain have both been haunting around the Bay for the better part of a decade. Sonically split, playing tender Americana folk and 1970s-tinged psychedelic rock, respectively, the bands share a common thread of superior musicanship and drive — each releasing a landmark album in the past year or so (Howlin Rain's The Russian Wilds and Vetiver's The Errant Charm). The other link? Mutual admiration.Read more »

This ain't a wrap

An unexpectedly controversial German film about skaters challenges the establishment in more ways than one.

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YEAR IN FILM Perhaps the backlash was inevitable. Any film that so flawlessly wows its initial audience in turn begins to receive a lot more scrutiny down the line, and there are definitely things about This Ain't California to scrutinize. Billed as a documentary, yet centered around a character who may not actually exist, This Ain't California details the unlikely rise of a rebellious East German skateboarding scene hidden from view behind the Iron Curtain.Read more »

Balkan brass blowup

The Berkeley Balkan Bacchanal's last showcase of 2012, A Very Castle Face Christmas, CHURCHES' new release, and more

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YEAR IN MUSIC 2012: Top 10s Galore

Major SF players share their favorites

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YEAR IN MUSIC Local musicians, rappers, producers, and music writers sound off on the year's best songs, album releases, shows, personal triumphs, and local acts.

 

 

HANNAH LEW, GRASS WIDOW

 

TOP 10 OF 2012

1. Starting our own label HLR and releasing our own record (Internal Logic)

2. Total Control's LP

3. Touring with the Raincoats and singing "Lola" with them every night

4. Getting obsessed with Silver Apples

5. Hollywood Nails

6. Wymond Miles LP

7. Scrapers (band)Read more »

YEAR IN MUSIC 2012: Digital scraps and analog curiosities

Hype Williams and the Internet wild

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arts@sfbg.com

YEAR IN MUSIC Are we being punked? Is this all some kind of stupid joke?

Upon first listen, the sound-world of Berlin-London duo Hype Williams (not the music-video director, mind you) is practically guaranteed to provoke a bewildered response. Incorporating half-baked hooks, brutishly cut-and-pasted samples, apathetic vocals, inept musicianship, crude effects, and grainy production into a gnarled, genreless mishmash, its approach gives off a superficial whiff of laziness and inconsequence.Read more »