Bop City. The Blackhawk. The Jazz Workshop. The Both/And. Keystone Korner. Kimball's.
San Francisco's world-renowned jazz club heritage has always been a part of the city's matchless cultural identity. But the je ne sais quoi's been missing for decades, because there hasn't been a jazz club regularly booking national and international touring musicians into the city for more than 20 years.
That all changes this month with the Nov. 28 opening of Yoshi's San Francisco. Read more »
"Basically, it's a mystery as to why someone who is brought up in Western Europe and is primarily the product of French and English culture should hear Ali Farka Touré at the age of 19 and feel like a thunderbolt just bashed them on the head," Piers Faccini says.
It was the late '80s, and after spending much of his childhood in rural France, Faccini was back in his native London, playing in a band that covered the Smiths. Read more »
Jason Lakis is proving to be his own best bandmate. The former frontperson of Bay Area country-slowcore outfit the Red Thread, which split this summer after three stellar LPs, has lately reemerged as Mist and Mast a solo act, though you wouldn't guess it. Mist's eponymous debut, which Lakis released on his Oakland Petting Zoo label, finds the artist playing every part and sounding sneakily like some well-rehearsed group. Read more »
James Baldwin said it most eloquently and publicly: "Urban renewal ... means Negro removal" during a 1963 TV interview on meeting a boy displaced by the Fillmore-area redevelopment projects of the '50s and '60s. Wondering what happened to the Fillmore's vibrant jazz, blues, and R&B clubs which once drew musical giants like Ella Fitzgerald and Duke Ellington and fostered local neophytes like Etta James and Chet Baker? Read more »
San Francisco's Fillmore District, Willie Brown once said, "had to be the closest thing to Harlem outside of New York." The Fillmore was in its golden era when the future mayor, then a teenager, arrived in 1951 from segregated Mineola, Texas. The 20 blocks that constitute the heart of the Fillmore then bustled with commerce and culture. Read more »
Wooden Shjips released their "Dance, California/Clouds over Earthquake" 7-inch single (Sick Thirst) last year in much the same way as they had their instigating, self-released Shrinking Moon for You 10-inch: packaged in an unassuming, clear plastic sleeve with hardly any information besides song titles. Beyond sending bloggers and journalists into a tizzy over their sexy, squalling grooves, this set confirmed Wooden Shjips as essential California. Read more »
We wish they all could be California girls or pure products of the Bay like the Finches' Carolyn Pennypacker Riggs. On the phone from New York City, where she's playing a series of CMJ-related shows, the singer-songwriter is as laid-back about scheduling an interview ("Whatever's clever!" she says merrily) as she is playfully lickety-split with a quirky quip, a roll-off-the-tongue rhyme, or an unguarded revelation (of a new Los Angeles job that requires the 26-year-old be on her feet all day, she says, "I wear a knee brace. Read more »
In hip-hop the path to wisdom passes through comedy. It's been that way since Biz Markie got people thinking about romance and friendship and De la Soul got touchy-feely over Steely Dan samples. Think of Prince Paul, who could teach Woody Allen a thing or two about using psychoanalysis as a filter for funny societal commentary. Think of Kool Keith, a man of many masks who has riffed on medical authority as creatively as Prince Paul. Kirby Dominant is adding hot-like-fuchsia chapters to this tradition. Read more »
In 1994 an album came out that nearly put a class of DJs out of work. Those manning the decks at so-called chill-out rooms in countless clubs had good reason to fear Global Communication's 76:14 (Arista), for its lush, emotive melodies and almost infinite attention to detail maintained the excitement that surrounded electronic music at the time while fostering a desultory, languid mood. Read more »