SONIC REDUCER "I'm from the underground. And I'm making pop music and I'm not a bit ashamed about it."
So sayeth Lady Gaga on the cellie last year on the way to a radio show at a Raging Waters in San Demos where she was dying to get wet. Alas, she forgot her Jellies at home and didn't want to get her towering D Square pumps splashed ("I'll find a private part of the park and just go in my birthday suit"). Read more »
Sonny Smith knows how to write a song. He better, because he's writing a lot of them. The Oakland resident is currently shoulders-deep in a mammoth project titled "100 Records" that combines music he's composed and recorded with cover visuals by a not-small army of Bay Area artists. Anyone who has heard Smith's 2006 album Fruitvale (Belle Sound) or read his column for the Examiner is aware that he has a direct, colorful way with words. Read more »
SONIC REDUCER As changeable, transformative chameleon year ’09 draws to a close, El Niño flurries sweep out the past, and all present plunge into the hassle and hustle of the holidays, I'm looking for answers — signposts if not certainties. Read more »
"I think our interest in the spheres is less scientific, less intellectual, and more primal," Ripley Johnson of Moon Duo says, when asked if he and bandmate Sanae Yamada have a particular fascination with deep space. "I see it as a sort of existential mirror, or perhaps a visceral catalyst for existential experience."
The eye-catching quartet of NASA-ESA Hubble Space Telescope images on the cover of Moon Duo's four-song EP Killing Time (Sacred Bones) evoke untouched realms and a sense of unknowing, even foreboding. Read more »
Philadelphia freedom can become Philadelphia gothdom. Cinematically, I'm thinking of David Lynch's Eraserhead (1977), the very definition of black-and-white bleakness, and a Philly-filmed movie set within a nightmare. More recently (and obscurely), I'm thinking of Andrew Repasky McElhinney's far-from-literal 2004 film adaptation of George Bataille's Story of the Eye, seemingly based in blasted-out sections of the City of Brotherly Love.
Bataille's obsessive focus on eros' fusion of love and death is in keeping with Cold Cave, the latest musical project of Wesley Eisold. Read more »