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How a poisonous spider bite leads to a two-week holiday at a fat camp in Florida
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PREVIEW Like most superhero tales, actor-comedian James Judd's story begins with a spider bite. He hopes the incident will give him superpowers (specifically the ability to manipulate ATM machines with his eyes), but it never comes. Instead, the nasty bite gives him an excuse to, well, sit on his butt. And it is in his treacherously hot Palm Springs home that our hero gains a lot of weight.

In his newest show, Judd tells the story of how a poisonous spider bite on his butt leads to a two-week holiday at a decrepit fat camp in Florida. Read more »

The show must go on!

Bay Area theater companies battle the recession and try to stay afloat
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a&eletters@sfbg.com

Furloughs. Layoffs. Cutbacks. These are the dirty words that have been added to the vocabularies of those working in Bay Area theaters ever since, as one person so eloquently phrased it, "the shit hit the fan." It's hard to pinpoint when it began, but most theater heads agree that by October of last year, the somber headlines regarding the economy began to feel frighteningly real. Theater companies of all sizes have reported reduced ticket sales, lower individual donations, and less foundation and grant giving. Read more »

Sha Sha Higby

Enter a mysterious and haunting world of child-like wonders
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PREVIEW To achieve inner calm, you could do an hour of yoga, meditate on a seaside cliff, or pamper yourself at a spa retreat. But if you don't have the time (or lack the funds), you could also attend a Sha Sha Higby performance to leave you feeling reflective, refreshed and inspired. Higby began her artistic career before she was even qualified to attend preschool. At age 3, a drawing of a single bird launched the artist into a new world of expression. Read more »

They will not be silent

The San Francisco Mime Troupe reaches 50 with "Too Big to Fail"
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a&eletters@sfbg.com

July 4 is Mime Troupe day in San Francisco, by tradition. Dolores Park, the place. There the venerable San Francisco company launches its annual free summer show — this year, the excellently timed and executed Too Big to Fail — surrounded by a varied throng of activists fanning out with ironing boards and literature among an audience of many hundreds basking in July rays, subversive laughter, and their own cheerful numbers.

Call it a day of independence from the usual bullshit, the jingo-jingle of national unity played for the masses from on high. Read more »

Wading in

Aurora Theatre's see-worthy romantic comedy, Jack Goes Boating
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a&eletters@sfbg.com

Yeah, it's a big one — "going boating" — for the working-class castaways in New Yorker Bob Glaudini's 2007 Jack Goes Boating, a surprisingly poignant comedy now making a strong Bay Area debut at Berkeley's Aurora Theatre. Who would propose such a thing lightly? The word even sounds funny, at least in the mouths of the three friends assembled in the scene — longstanding couple Clyde (Gabriel Marin) and Lucy (Amanda Duarte), and Clyde's best friend and perennial bachelor Jack (Danny Wolohan). Read more »

Grade A

THE QUEER ISSUE: Fresh Meat serves up a diverse evening of performance
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a&eletters@sfbg.com

It was a gathering of tribes with more tattoos and partially shaved heads per square foot than anywhere else in San Francisco. The sartorial imagination at times rivaled the one on stage. In other words, it was the eighth Fresh Meat Festival, celebrating transgender and queer performance, and Project Artaud Theater packed them in.

Announced as the largest festival of its kind in the country, Fresh Meat is the brain- (and heart-) child of Sean Dorsey. Read more »

Shake, shimmy, subvert

THE QUEER ISSUE: Queer burlesque -- especially of the local variety -- lets it all hang out
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molly@sfbg.com

The tradition of burlesque has always been about subverting the norm and challenging the privileged class. So it should be no surprise that queer performers make up a significant percentage of the new burlesque movement. Or, as Amelia Mae Paradise, cofounder of the queer femme burlesque troupe Diamond Daggers, puts it: "The burlesque world has always had room for freaks and queers and fat ladies."

A quick look at the current Bay Area burlesque scene confirms Paradise's theory. Read more »

Going postal

Magic Theatre delivers a winning stamp-collecting caper with Mauritius
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a&eletters@sfbg.com

The ins and outs of stamp collecting can strike an outside ear as so much esoteric jabbering about phosphor bands and dandy rolls. Read more »

First things Faust

Shotgun Players' Faust, Part 1 at the Ashby Stage is whole unto itself
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a&eletters@sfbg.com

Bay Area writer-director Mark Jackson has been rightly hailed for his original scripts, especially since the rollicking ingenuity of 2003's The Death of Meyerhold. But his dialogue with established or classic plays has been just as intriguing to follow. Here, strict fidelity to the text has not always proved a recipe for success. Read more »

Revenge of the nerds

High-energy Fukú Americanus lacks depth
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a&eletters@sfbg.com

"Fukú Americanus" does not actually translate as "fucked-up American," but it might as well. Fukú refers to a curse, a bad piece of destiny that clings to your behind like a genetically transmitted boot up the ass, passing on through generations until it runs its course, which is who-knows-how-long. Read more »