From Kurt Schwitters' dwelling-consuming accretion The Merzbau to Tim Noble and Sue Webster's silhouette-casting garbage heaps, making art from the discard pile is by no means a new gesture. It can still be a potent one, though, as evinced by "Art at the Dump," a 20-year survey of the fruits of Recology's artist in residence program at Intersection for the Art's new gallery space in the historic San Francisco Chronicle building.Read more »
PHOTO ISSUE It wasn't until Julian ArtPorn (www.ArtPorn.com) was taping the back hem of my red and white polka dot dress up over the seat of my Nishiki road bike that I realized the Coppertone dog-girl duo of yore is, in fact, one of our most visible illustrative renditions of boudoir photography. Then, my derriere suitably exposed to his basement studio — the most revealing shot of our session — and he had arranged my hips just so, and coached me on the appropriate pin up "surprised" face, ArtPorn resumed with the flash bulbs.Read more »
It is an understatement to say that the work of Matthew Barney elicits strong reactions. Critics have alternately hailed him as "the most important American artist of his generation" (that's the New York Times' Michael Kimmelman) and complained of his art's Wagnerian grandiosity, needless inscrutability, pretentiousness, and icy perfection ("loveless" was one of the words the San Francisco Chronicle's Kenneth Baker used to describe "Drawing Restraint 9," Barney's 2006 show at SFMOMA).Read more »
ART Let's start with the obvious: the massive art collection of Gap Inc. founders Doris and the late Don Fisher is by far one of the largest and most significant windfalls SFMOMA has received in its 75-year history. More important, the collection — which had primarily been viewable throughout the Gap's SF headquarters only by company employees and visiting tour groups — is finally being made accessible to the general public.Read more »
Yes, it is summer. And yes, you look great in your tankini chewing ice cream and leathering your face. I am aware that school is out of session and out of fashion. And I know the institutional dinosaurs in tweed make you sneeze. But school is cool again — or at least it's not as stale and stubborn as it once was.Read more »
HAIRY EYEBALL Amanda Curreri wants you. Like the open-ended phrasing of its title, "Occupy the Empty," Curreri's second solo show at Ping Pong Gallery is both a basic statement of what an artist does within an exhibition space and a call to action soliciting the viewer to step in, step up, and take a stand. Or perhaps the phrase should be "take the stand," since, as the artist explained to me during a recent gallery visit, the arrangement of the installation's components roughly mirrors the layout of a courtroom.
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