Arts & Culture

Arts & Culture

Nude awakening

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Anicca — at the Theater Artaud complex this week — is not exactly your everyday site-specific dance theater event. With the audience in tow, the piece makes its way from the Noh Space through internal hallways into Theater Artaud proper. Its 20 dancers (half professionals, half amateurs) all perform in the nude. Onstage. Outside. Foggy or not.
Eric Kupers, codirector of Dandelion Dancetheater, knows the risks of this kind of endeavor. Read more »

A present from the past

Colter Jacobsen uses a pencil to turn old photos into "Your Future"
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johnny@sfbg.com
One of us is wearing green short-sleeved Lacoste, the other blue short-sleeved Sergio Tacchini. We've looked around his apartment, where he's leaving behind one shoebox-size tranquil bedroom — he’s now restlessly moving his belongings between two larger sun-drenched spaces. He jokingly calls one a massage room and the other a museum and talks about the patterns of shadows through his windows — how there's a shadow that looks like a dancing lady, and how the window that faces a church is both peaceful and a passage to a fantasy about priests. Read more »

But I love it!

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Valley of the Dolls
(Fox Home Entertainment)
PRESS PLAY My favorite anecdote about Susan Hayward hides in a Nicholas Ray biography. When director Ray first met Hayward before the filming of 1952's The Lusty Men, he launched into one of his characteristic orations about methods of acting. Hayward knitted. Ray jabbered. After a while she cut him short. "Listen, honey, I'm from Brooklyn," she said with a trademark from-the-gut growl that could stop a linebacker short. Read more »

Strap it on

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CULT MOVIE It's finally here. Beyond the Valley of the Dolls (Fox Home Entertainment), a top contender in my sordid little mind for the greatest movie ever made (next time you see me in a bar and have two or three hours to kill, I can give you the complete list) has arrived in splendid, special-edition DVD form. Has Hollywood ever been so satirically skewered? Has a single film ever crammed in so many genres — musical, comedy, melodrama, youth-gone-wild, slasher? Has the Bentley vs. Read more »

Explosive

Crowded Fire's Hands torch neoliberalism
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China, the burgeoning frontier of unfettered capitalism these days, naturally gives rise to much scholarly and popular commentary as one market follows another. Read more »

Queen of the double feature

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HORROR-LARITY If there's anything better than peaches and cream, it would have to be Peaches and Elvira. Read more »

Slay time!

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THEATER If you love comedy, horror movies, and the singular sensation of being doused with oddly fruity stage blood, you're probably already a Primitive Screwheads fan. If you're not, it’s time to familiarize yourself with the madcap masters of mayhem behind such spectacles as Re-Animator of the Dead: The Tale of Herbert West and the inimitable Evil Dead: Live. Read more »

Weill-ing away the hours

A Happy End - and a Rude Boy worth investigating
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› a&eletters@sfbg.com
Happy End was thrown together in 1929 at the behest of a starry-eyed theater producer looking to capitalize on the surprise success the previous year of Bertolt Brecht and Kurt Weill's The Threepenny Opera. It was an ominous year for capitalizing ventures in general, you might say. As if to prove it, Happy End, whose story of Chicago gangsters and Salvation Army evangelists was cobbled together by Brecht and Elisabeth Hauptmann, was anything but a success in its time. In fact, after its famously negative reception Brecht made a point of distancing himself from it. Read more »

Catch some rays

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> a&eletters@sfbg.com
Damn, it's been hard to stay focused since the rain stopped. So many beers in the park to enjoy and so many great shows to see. Here are a few you should catch in between bike rides and slosh ball games.
Gregory Euclid's work must be seen in person, because no photos can do it justice. He's showing at White Walls through June, with Anthony Yankovic III and Teodor Dumitrescu, who are also amazing. Next door, the Shooting Gallery just opened its annual erotic show, where one can ogle boobies and butts in painted and photo forms. Read more »

TOKYO DRIFT-ER

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Before the pinks start flying, let's get the snap critique out of the way: The Fast and the Furious: Tokyo Drift is completely ri-drift-ulous. Start with the deeply tanned, pastel-loving, hella-bleached-blond ganguro girls (now with highly buoyant boob jobs!), proceed to the silly gang-drifting scene down a mountain (why not make it Mt. Read more »