Rock giveth and rock taketh away. Hearing loss — give or take a pound of flesh, hunk of hair, chunk of gray matter, or a tooth or two — seems like a fair trade when there's so much pleasure to be gleaned from the volume and insight, good drunks and bad trips. And Mike Donovan (Ropers, NAM, Big Techno Werewolves, Sounds of the Barbary Coast, Yikes) and Matt Hartman (Henry's Dress, Total Shutdown, Cat Power, Coachwhips) of SF's downlow supergroup Sic Alps are here to remind you of the upside of rock's stubbly downside. Read more »
In playwright Dominic Orlando's Juan Gelion Dances for the Sun, Latin American peasant Juan Gelion (a charismatic Johnny Moreno) abandons a promising career in the church to found a new one — or is it the old one reborn? Even Juan doesn't seem sure. But he renounces material wealth, goes about healing the sick — beginning with beloved cousin Mariana (Juliet Tanner), who lies dying from a botched abortion — and collects a band of unlikely followers, including his cranky atheist brother (Hector Osorio) and a chipper but mentally unstable American (Alexandra Creighton). Read more »
One thing to like about Clifford "T.I." Harris Jr.'s truthful intelligence is the fact that the straight-outta–West Atlanta MC chose XXL, not Entertainment Weekly, as the place to compare himself (in an interview) to Jennifer Lopez and Barbra Streisand. Anyone who's heard T.I.'s music or seen his videos may wonder where the hell that comparison comes from. This weekend will provide the answer — by the end of it, he hopes to have the number one movie (with the Chris Robinson–directed drama ATL) and album (with King) in the country. Read more »
Break it down to the Beastie Boys' smart-ass advocacy of the everydude, or their ability to agilely swing with hip-hop's developments and evolve with their more adventurous listeners, but Adam Yauch (MCA), Mike Diamond (Mike D), and Adam Horovitz (Adrock) have always maintained a special "relationship" with their fans. Their new concert film, Awesome; I Fuckin' Shot That!, a listener-producer "collabo," as Yauch puts it, explodes that bond. Read more »
The best films resensitize you, making acts as simple as walking down the street or even breathing seem new. Such is the case with Carlos Reygadas's Battle in Heaven, an audacious collection of slow, circular pans and long tracking shots that travel ever deeper into the mysterious relationship between a chauffeur named Marcos (Marcos Hern?
DO NEW MEDIA move more quickly? The San Francisco Museum of Modern Art's media arts curator, Benjamin Weil, will officially resign Sept. 3. Starting at the museum in 1999 at the zenith of the dot-com boom, Weil was responsible for commissioning well-regarded pieces by Christian Marclay and Pipilotti Rist, whose work is on view until August. He also reinstated the film program and presented numerous sound projects at the museum. Read more »
ANY GIVEN FIVE minutes of Battlefield 2 (Electronic Arts) play can resemble the opening scene of Saving Private Ryan. You're riding in an amphibious tank with your squad across enemy waters. Rumbles from explosions start getting louder and closer. Stray bullets hit the tank's armor and the water outside. Suddenly you're on land, the tank stops, and your squad leader yells, "Move!" over your headset. You jump out into utter chaos, bullets flying everywhere, your teammates falling around you. Read more »